By Andrew Quitmeyer, Michael Nitsche, Ava Ansari (auth.), Giorgio De Michelis, Francesco Tisato, Andrea Bene, Diego Bernini (eds.)
This publication constitutes the completely refereed complaints of the 3rd foreign convention on Arts and expertise, ArtsIT 2013, held in Milano, Bicocca, Italy, in March. the nineteen revised complete papers offered have been conscientiously chosen and reviewed from 31 submissions and are geared up in topical sections on: paintings and expertise in motion, track and know-how in motion, reflecting on paintings and know-how, figuring out the inventive perform, and on the boundaries.
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Extra info for Arts and Technology: Third International Conference, ArtsIT 2013, Milan, Italy, March 21-23, 2013, Revised Selected Papers
Outside the area, a spectrum analyser and a processing unit are in charge of analysing and processing RFs’ and positions’ data, ﬁgure 2. In previous works, [10,11,12,13] we proposed and developed a prototype of the project by using a simple GSM engine tracing only a limited set of channels (Siemens TC35 ), the localization algorithm was achieved through a collaborative target and sound spatialization was simpliﬁed in stereophony. The nodes of the WSN we used for localization are the Crossbow Crickets .
Laptot 2 acts in a similar manner with respect to the Kinect; it hosts SynapsE , a software that allows to easily interface with the Kinect through the possibility of generating and receiving OSC messages. In particular, through SynapsE, we ask (every 2 seconds) Kinect to provide positions’ data that are sent toward the server. Finally Laptop 3 acts as an OSC server receiving OSC messages coming from the network. It is equipped with Max 5 and, for our purpose of communication through OSC, we exploit the use of two Max object: udpsend to instruct Kinect to track user’s torso, ﬁgure 6 and udpreceive, that allows to receive OSC messages through UDP ports, both from our application on Laptop 1 and SynapsE on Laptop 2.
In each of these cases the involvement, in particular the poetic involvement with the physical location, is mediated through the location-based technologies. The user is present in the surrounding space, and while walking around or standing still listening to these stories, one relates to and is present in ones own personal and public surrounding world. The connection between the embodied experience mediated by the audio walks is directly linked to the physical location, as well as to one’s own memories, dreams, histories and ideas, not only related to that certain location, but in general.
Arts and Technology: Third International Conference, ArtsIT 2013, Milan, Italy, March 21-23, 2013, Revised Selected Papers by Andrew Quitmeyer, Michael Nitsche, Ava Ansari (auth.), Giorgio De Michelis, Francesco Tisato, Andrea Bene, Diego Bernini (eds.)